One series, one flow — from the plan to the finished episode

One project is one series

You do not start a new project per episode. A series is a project and the episodes live inside it. The project window shows not started, in progress and done at a glance, and episodes you have not created yet still hold their place from the outline — click one and it is created right there.

Each episode carries into the next

Finishing an episode leaves a summary and a per-character state for the next episode's writer. The next plan reads the series bible together with that summary, so what a character now knows, owes or has lost carries forward. Character and location sheets are inherited once.

A premise that keeps the series running

You first fix one situation that keeps producing new conflict on its own, then lay the season arc, the secrets, what each episode reveals and the hook it ends on over it. The outline table is also where each episode's length is chosen.

• 30s
• 45s
• 60s
• 90s

Lines and direction are written separately

The storyboard writes the scenes and the lines first; a second pass stages those lines on screen — every line gets a slot on the clock, the speaker is in frame, and if the lines run long you are asked whether to grow the clip. Splitting the two jobs lifts the quality of both.

Register a voice and the character speaks with it

Give a character a voice and the video model takes it as a reference, so the same voice comes back clip after clip. Lines and sound effects are generated with the picture rather than dubbed on afterwards. There is no background music.

Subtitles come from what was actually said

The script is not copied across. The finished clip's audio goes to Whisper, you edit the result on screen, translate it into the language you want, and pick one at render time.